Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Still life of a watermelon,red and white grapes,figs,cherries,mushrooms,a melon,and a basket with vine-leaves,upon a ledge

ID: 27392

unknow artist Still life of a watermelon,red and white grapes,figs,cherries,mushrooms,a melon,and a basket with vine-leaves,upon a ledge
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unknow artist Still life of a watermelon,red and white grapes,figs,cherries,mushrooms,a melon,and a basket with vine-leaves,upon a ledge


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unknow artist

  Related Paintings of unknow artist :. | Codex Heroica | Esther and ahasuerus | Self-portrait | Assumption of the Virgin | Third-class compartment |
Related Artists:
Joseph Friedrich August Darbes
(1747 -1810 ) - Painter
Robert W. Weir
American Hudson River School Painter, 1803-1889,Painter and teacher. By his own account he was self-taught, with the exception of a few lessons from an unknown heraldic painter named Robert Cooke. However, after exhibiting a few works that were praised by the local press, he was sent to Italy by a group of New York and Philadelphia businessmen for further studies. There he trained with Florentine history painter Pietro Benvenuti. After three years in Europe (1824-7), he returned to New York, where he quickly became a mainstay of the artistic community. In 1831 he was elected to membership in the National Academy of Design in New York, and three years later he was made instructor of drawing at the US Military Academy in West Point, New York, a post he held for the next 42 years. Most scholars agree that he was more important as a teacher than as a painter. His best known work is the Embarkation of the Pilgrims (1837-43), which hangs in the Rotunda of the US Capitol Building in Washington, DC.
Demuth, Charles
American Precisionist Painter, 1883-1935 American painter and illustrator. He was deeply attached to Lancaster, where his family had run a tobacco shop since 1770. Although not a Regionalist, Demuth maintained a strongly localized sense of place, and Lancaster provided him with much of the characteristic subject-matter of both his early and later work. He trained in Philadelphia at the Drexel Institute of Art, Science and Industry (1901-5) and at the Pennsylvania Academy of the Fine Arts (1905-11), where his teachers included Thomas Anshutz, Henry McCarter (1864-1942), Hugh Breckenridge (1870-1937) and William Merritt Chase.






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